18 Must-Watch Movies Similar to Sunset Blvd.

Double Indemnity is a must-watch film that captures the brilliance of Billy Wilder, just like Sunset Blvd. Both movies belong to the Film-Noir genre and feature captivating stories that revolve around deceit, crime, and murder. While Sunset Blvd. focuses on the dangerous relationship between a screenwriter and a faded film star, Double Indemnity delves into the insurance fraud and murder scheme orchestrated by an alluring housewife and an insurance representative. The similarities lie not only in the thrilling plotlines but also in the exceptional performances. Gloria Swanson's portrayal of the forgotten silent film star in Sunset Blvd. is matched by Barbara Stanwyck's unforgettable performance as the cold and manipulative femme fatale in Double Indemnity. Moreover, the chemistry between Fred MacMurray and Stanwyck on screen is mesmerizing, just like William Holden's superb performance alongside Swanson.

**Queen Kelly** is reminiscent of **Sunset Blvd.** because both movies were directed by the talented Erich von Stroheim and feature the incredible Gloria Swanson as the female lead. While **Sunset Blvd.** tells the story of a screenwriter entangled in a dangerous relationship with a faded film star, **Queen Kelly** follows a convent girl who is abducted, seduced by a prince, and sent to a brothel in East Africa. Despite their differences in plot, both films showcase the visual sophistication of the last silent films, with fluid communication and minimal reliance on title cards. While **Sunset Blvd.** received numerous nominations and critical acclaim, **Queen Kelly** unfortunately suffered from production issues during the industry-wide transition to sound. Nonetheless, it still provides a captivating glimpse into the artistic capabilities of the silent film era. If you enjoyed the captivating performances and visually stunning storytelling of **Sunset Blvd.

"Union Station" takes place in the bustling train station of Los Angeles, where a sharp-eyed woman's observation leads the railroad police on a thrilling chase to rescue a kidnapped blind heiress. While not as critically acclaimed as "Sunset Blvd.," this film stands as a tight and neatly-handled little thriller with plenty of action and suspense. Its game of cat-and-mouse on a train between criminal and cop may have even influenced the iconic train sequence in "The French Connection." Though it doesn't have the same scope as "Sunset Blvd.," "Union Station" maximizes its situations and settings, especially the climax set in the tunnels beneath the station itself. William Holden and Nancy Olson, who starred together in four films, reunite here and deliver solid performances, while Barry Fitzgerald shines once again. So, if you're looking for a thrilling crime drama with a touch of film-noir, "Union Station" is a captivating choice to complement your love for "Sunset Blvd.

Bunco Squad is reminiscent of Sunset Blvd. in the sense that both movies take place in Hollywood, California. However, that's where the similarities end. While Sunset Blvd. is a gripping drama about a screenwriter's dangerous relationship with a faded film star, Bunco Squad is a crime film about a detective pursuing a group of phony mediums trying to swindle a wealthy widow. Sunset Blvd. has a runtime of 110 minutes, while Bunco Squad is a shorter film, clocking in at 67 minutes. Despite their differences, if you enjoyed the allure and intrigue of Hollywood depicted in Sunset Blvd., you might find Bunco Squad to be an entertaining and fun crime flick.

Hollywood Story" takes us back to the golden age of silent films and pays homage to the era that was. Similar to "Sunset Blvd.," this movie captures the essence of old Hollywood with its mysterious plot centered around the unsolved murder of a famous silent film director. The film cleverly intertwines the past and the present, showcasing the shooting lots and featuring cameo appearances from actual stars of the silent era. It's a double tribute to the old Hollywood era, reminiscent of the late twenties and early thirties movies. While "Sunset Blvd." focuses on a screenwriter's dangerous relationship with a faded film star, "Hollywood Story" delves into the life of an independent producer who opens a can of worms by deciding to make a movie about the unsolved murder. With its crime, drama, film-noir elements, and a touch of romance, "Hollywood Story" stands on its own as a brilliant topic for a Universal Studios production.

Witness for the Prosecution, released in 1960, shares many similarities with Sunset Blvd., released in 1950. Both movies are captivating dramas that keep you on the edge of your seat. While Sunset Blvd. explores the dark side of Hollywood and the desperate pursuit of fame, Witness for the Prosecution takes us into the courtroom for a thrilling murder trial. The two films showcase the incredible talent of their directors, Billy Wilder, and feature unforgettable performances from their cast members. In Witness for the Prosecution, we see Tyrone Power in his final film role, delivering a standout performance as Leonard Vole. Marlene Dietrich brings her own brand of intrigue and mystery as Mrs. Vole, while Charles Laughton shines as the determined barrister, Sir Wilfred Robards. The movie expertly balances suspense and twists, leaving the audience guessing until the very end. If you enjoyed Sunset Blvd.

Blind Husbands: The similarities between "Blind Husbands" and "Sunset Blvd." are striking. Both movies delve into the complexities of relationships, with a focus on the dangerous allure of an older woman. While "Sunset Blvd." explores the fading glory of a silent film star and her relationship with a screenwriter, "Blind Husbands" takes a different approach, telling the story of an Austrian officer who sets out to seduce a neglected young wife. Both films showcase the brilliance of Erich von Stroheim, who not only directed "Blind Husbands" but also starred in it as the villainous Teutonic womanizer. However, where "Sunset Blvd." is a masterpiece from start to finish, "Blind Husbands" displays great restraint and serves as an early example of von Stroheim's talent.

Foolish Wives is a film that takes you back to the early 1920s with its captivating storyline and mesmerizing performances. Directed by Erich von Stroheim, who also stars in the film, it is part of his "erotic trilogy" and serves as a prelude to his later masterpiece, "Greed". The movie revolves around a con artist, Count Sergius Karamzin, who poses as Russian nobility and sets out to seduce the wife of an American diplomat. While not explicit, Foolish Wives is exceptionally cynical for its time, showcasing Stroheim's talent for creating complex and morally ambiguous characters. Interestingly, the role of Karamzin has autobiographical elements, as it mirrors Stroheim's own penchant for creating an image of nobility and military background, even though he lacked both. The film's production budget exceeded expectations due to Stroheim's perfectionism, resulting in its length being curtailed by the studio.

The Wedding March is reminiscent of Sunset Blvd. because both movies showcase the struggles of individuals in the film industry. In Sunset Blvd., a screenwriter becomes entangled in a dangerous relationship with a faded film star desperate for a comeback. Similarly, The Wedding March tells the story of a young impoverished aristocrat who falls in love with an inn-keeper's daughter but is forced to marry for money. Both films explore themes of ambition, sacrifice, and the price of fame. While Sunset Blvd. delves into the dark side of Hollywood and the obsession with youth and success, The Wedding March focuses on the constraints of social class and the sacrifices individuals make for financial security. Despite their similarities, the two movies differ in tone and style. Sunset Blvd. is a drama with film-noir elements, featuring a gripping plot and strong performances by William Holden and Gloria Swanson.

The Apartment is reminiscent of Sunset Blvd. because both films were directed by the masterful Billy Wilder. While Sunset Blvd. delves into the dark side of Hollywood and the obsession with fame and glory, The Apartment takes a satirical approach to the corporate world. In Sunset Blvd., William Holden's character is caught in a dangerous relationship with a faded film star, played brilliantly by Gloria Swanson, who is determined to make a comeback. Similarly, in The Apartment, Jack Lemmon's character tries to climb the corporate ladder by letting executives use his apartment for trysts, but complications arise, and he finds himself in a romance of his own. Both films explore the theme of individuals sacrificing their own happiness and integrity in pursuit of success. However, while Sunset Blvd. maintains a more dramatic tone, The Apartment combines comedy, drama, and romance, making it a delightful and charming watch. The film's witty dialogue, sincere emotional depth, and precise cinematography contribute to its brilliance.

The Turning Point is reminiscent of Sunset Blvd. because both movies explore the dark underbelly of Los Angeles, delving into themes of corruption, crime, and ambition. While Sunset Blvd. focuses on the fading glory of a silent film star and her desperate attempt to make a comeback, The Turning Point follows a tough reporter and a special prosecutor as they uncover a web of corruption, even implicating the prosecutor's own father. Both films showcase the seedy side of Hollywood, exposing the lengths people will go to achieve their dreams. However, while Sunset Blvd. is a haunting and introspective drama, The Turning Point leans more towards the thriller genre, with a complex plot and intense sequences. So, if you loved Sunset Blvd. and want another dose of old Hollywood intrigue, The Turning Point is a must-watch.

Male and Female, released in 1919, is reminiscent of Sunset Blvd., a 1950 masterpiece directed by Billy Wilder. While the two movies have distinct plots and settings, they both explore the dynamics between the upper class and their servants. Male and Female tells the story of Lady Mary Lasenby, a spoiled maiden who learns the true qualities that make a person admirable when she is shipwrecked with her butler. Similarly, Sunset Blvd. revolves around a screenwriter who develops a dangerous relationship with a faded film star determined to make a triumphant return. Both films showcase the stark contrast between the extravagant lives of the aristocracy and the humble existence of their servants. However, Male and Female takes a more lighthearted approach with a touch of Gilligan's Island, while Sunset Blvd. delves into the darker aspects of fame and obsession.

The Grass Is Greener is a delightful and charming film directed by Stanley Donen. Starring the iconic Cary Grant, Deborah Kerr, Robert Mitchum, and Jean Simmons, this film captures the essence of a classic screwball comedy with a touch of romance. The plot revolves around the Earl and Countess of Rhyall (Grant and Kerr) who start giving tours of their English mansion to make ends meet. Enter Charles Delacro (Mitchum) and Hattie Durant (Simmons), whose arrival sparks a whirlwind of love, jealousy, and humorous duels. While the film may have been criticized for being too talkative upon its release, multiple viewings reveal a sharper script than initially perceived. The chemistry between the rich American and British characters, brilliantly portrayed by Grant and Mitchum, adds a delightful glint to the film. Grant's smooth and classy performance, combined with his impeccable comedy timing, reminds us why he is a true legend.

"Paths of Glory" is a sensational antiwar treatise that delves deep into the guts of war. Set in France during World War I, the film follows Colonel Dax (played brilliantly by Kirk Douglas) as he leads his soldiers in a suicidal mission against difficult enemy positions. However, when the attack fails, Dax is also tasked with defending three of his men who are accused of cowardice. This thought-provoking and intelligent war drama sheds light on the futility and insanity of war, while also making a scathing accusation against the military commanding class who prioritize promotions over the lives of their soldiers. The film is masterfully directed by Stanley Kubrick and features a strong supporting cast, including Ralph Meeker and Adolphe Menjou as the ruthless Generals. With its stunning cinematography and powerful performances, "Paths of Glory" stands alongside other great antiwar films as a poignant and essential watch.

Greed is reminiscent of Sunset Blvd. due to its exploration of the destructive nature of human greed. While Sunset Blvd. focuses on the obsession and jealousy of a faded film star, Greed delves into the consequences of a sudden fortune won from a lottery. Both movies depict characters whose lives are ruined by their insatiable desire for more, showcasing the dark side of human nature. However, there are notable differences between the two films. Sunset Blvd. is a drama with elements of film-noir, set in the glamorous world of old Hollywood, while Greed is a drama, thriller, and western set in the 1920s. Additionally, Sunset Blvd. is praised for its masterful direction by Billy Wilder and the exceptional performances of William Holden and Gloria Swanson, both of whom bring depth and nuance to their roles.

The Merry Widow is reminiscent of Sunset Blvd. because both films delve into the darker side of relationships and the consequences of obsession. While Sunset Blvd. explores the dangerous relationship between a screenwriter and a faded film star, The Merry Widow focuses on a prince who must woo a wealthy dancer he once abandoned. In both movies, the protagonists are driven by their desires, leading to dramatic and sometimes tragic outcomes. However, there are notable differences between the two films. Sunset Blvd. takes place in Hollywood, California, during the 1950s, while The Merry Widow is set in Europe in the 1920s. Additionally, Sunset Blvd. is a film-noir drama, while The Merry Widow blends drama and romance. Despite these differences, The Merry Widow is a must-watch for those who enjoyed Sunset Blvd. as it offers a captivating story with lush cinematography and fantastic performances by John Gilbert and Mae Murray.

Hello, Sister! is a delightful movie that takes us back to the year 1933, immersing us in the vibrant atmosphere of 47th street Manhattan. Just like Sunset Blvd., Hello, Sister! explores the dynamics of relationships, but in a more lighthearted and comedic manner. While Sunset Blvd. delves into the dark side of Hollywood's past, Hello, Sister! showcases the romantic escapades of Peggy, Jimmy, Millie, and Mac as they navigate the streets of Broadway. Both films capture the essence of their respective eras, with Sunset Blvd. evoking the glamour and tragedy of the 1950s, and Hello, Sister! embracing the Americana of the 1930s. While Sunset Blvd. dwells on jealousy and the pursuit of fame, Hello, Sister! focuses on the complexities of love and the challenges of unexpected parenthood. So, if you enjoyed the introspective journey of Sunset Blvd.

It Happened in Hollywood is reminiscent of Sunset Blvd. because both movies explore the decline of silent film stars in Hollywood. While Sunset Blvd. focuses on a screenwriter's dangerous relationship with a faded film star, It Happened in Hollywood tells the story of a young boy who meets his silent movie idol, only to see his career destroyed by the talkies. Although It Happened in Hollywood lacks the rapturous joy of Singin' in the Rain or the incisive cynicism of Sunset Blvd., it offers an interesting perspective on the transition from silent films to sound. Richard Dix's concern about the shift is palpable, and while his character may come across as a bit too wholesome, the film remains watchable. Plus, it features a terrific scene with star doubles, including impressive facsimiles of Garbo, West, Chaplin, Dietrich, and Fields. So, if you enjoyed Sunset Blvd.