0 Similar Movies to Network: Find Your Next Drama Fix

Chinatown is reminiscent of Network because both films delve into the dark underbelly of their respective industries. While Network focuses on the exploitative nature of the television network, Chinatown uncovers the deceit and corruption within the private detective industry. Both films portray a world where power and greed drive individuals to manipulate and control others for personal gain. However, Chinatown stands out with its neo-noir style and intricate plot that keeps viewers on the edge of their seats. Set in 1930s Los Angeles, the film captures the essence of the time period with its stunning visuals and impeccable attention to detail. Director Roman Polanski's meticulous craftsmanship is evident in every frame, from the golden hues that permeate the city to the haunting score that heightens the suspense. Chinatown is a must-watch for anyone who appreciates a masterfully crafted mystery thriller that leaves a lasting impact.

Good Night, and Good Luck. is reminiscent of Network because both movies shine a spotlight on the inner workings of the media industry. While Network cynically explores the exploitation of a deranged former anchor's ravings for profit, Good Night, and Good Luck. focuses on broadcast journalist Edward R. Murrow's mission to bring down Senator Joseph McCarthy. Both films delve into the power dynamics and manipulation within the realm of television and journalism. However, Good Night, and Good Luck. takes a more serious tone and presents a character study of the man on and off the camera, emphasizing the fabricated truth perpetuated by politicians and the role of journalism in piercing through those layers. With its mesmerizing staging and powerful performances, this movie captivates the audience and highlights the importance of controlling the pipeline to deliver the "real." So, if you enjoyed Network and want to witness another compelling exploration of the media landscape, Good Night, and Good Luck. is definitely worth watching.

Angelo My Love: Step into the world of gypsy life. Come meet Angelo and his family. See the gypsy court system. A gypsy wedding where a boy's family pays for his wife. Come see the gypsy lifestyle, how they live, how they love family.
If you enjoyed the cynical exploitation of the media in "Network", then you'll love "Angelo My Love". While the two movies may seem different on the surface, they share a common theme of exploring the lives of different communities. Just as "Network" delves into the manipulative world of television, "Angelo My Love" takes us into the vibrant and often misunderstood gypsy culture. Both films offer a unique perspective into the lives of these communities, shedding light on their traditions, values, and struggles. While "Network" is a biting critique of the media, "Angelo My Love" is a heartfelt portrayal of gypsy life.

"Mad Enough to Kill" is reminiscent of "Network" in its exploration of the media's influence and manipulation. While "Network" focuses on a television network exploiting a deranged anchor's ravings for profit, "Mad Enough to Kill" takes a different approach by delving into the world of a young woman, just released from a psychiatric clinic, who becomes a governess for the nephew of a wealthy industrialist. Both movies touch on themes of insanity, violence, and the power of the media. However, "Mad Enough to Kill" adds an extra layer of intrigue with elements of blackmail and a thrilling plot. While "Network" presents a cynical view of the media, "Mad Enough to Kill" takes a more far-fetched approach, reminiscent of Lewis Carroll's Alice in Wonderland.

The Towering Inferno, released in 1974, is a thrilling disaster epic that shares similarities with the iconic film Network. While Network delves into the corrupt world of television and media, The Towering Inferno explores the dangers of a colossal, poorly constructed office building. Both films showcase an all-star cast, including William Holden and Faye Dunaway, who deliver captivating performances that leave a lasting impression. Fred Astaire and O.J. Simpson also shine, bringing a higher dimension to the story. However, unlike Network, The Towering Inferno focuses on physical peril rather than media manipulation. With stunning technical effects and a heart-pounding narrative, this film stands out in the disaster genre, earning it well-deserved critical acclaim. So, if you enjoyed the intense drama of Network, The Towering Inferno will take you on a thrilling ride that will keep you on the edge of your seat.

"Dog Day Afternoon" is a gripping film that tells the true story of a bank robbery gone wrong. The movie takes you on a rollercoaster ride as the supposedly simple heist turns into a bizarre nightmare filled with unexpected twists and turns. Just like in "Network," the characters find themselves caught up in a media circus, with the whole world watching their every move. However, while "Network" focuses on the cynicism of the television industry, "Dog Day Afternoon" delves into the desperation and chaos of the situation. The film is expertly directed by Sidney Lumet, who creates an atmosphere that grabs your attention from the very beginning and doesn't let go. Al Pacino delivers one of his best performances, fully immersing himself in the role of Sonny, the lead bank robber. The supporting cast is equally impressive, adding depth and authenticity to the story.

How Is It Going? This film takes a political and media-centered approach, much like Network. While Network focuses on a television network exploiting a deranged former anchor's rants for profit, How Is It Going? delves into the inner workings of a newspaper and the attempts of two workers to make a film. Both movies touch on the power and manipulation of the media, with Network showcasing the television industry and How Is It Going? exploring the workings of a radical French Communist news journal. However, Network's plot revolves more around the television industry itself, while How Is It Going? delves into the complex ideas of cinematic transmission and the relationship between technology and political discourse. While Network reflects the American media landscape, How Is It Going? offers a more European perspective. Despite their differences, both films provide insightful commentary on the media and its impact on society, making How Is It Going? a must-watch for fans of Network who are interested in exploring similar themes from a different angle.

The Prize of Peril takes us to a futuristic society where contestants compete in a fight to the death for cash prizes, broadcasted live on television. The movie, released in 1983, predates the cult classic The Running Man by three years. Although it's tempting to label Prize of Peril as a rip-off, it stands on its own as a thrilling and engaging film. Directed by Yves Boisset and shot in France and the former Yugoslavia, the movie follows a game show where contestants must survive against a team of trained bounty hunters. Unlike The Running Man, our hero in Prize of Peril surprises the audience by turning the fight against the bounty hunters. The pace, action, and intrigue keep you hooked, and you quickly develop admiration for the struggling hero, portrayed by Gerard Lanvin. The movie's overtones are more sinister, and its commentary on society is stronger than its American counterpart.

The Illusionist takes us on a visually captivating journey, much like Network does with its gripping story. While Network exposes the exploitative nature of the media, The Illusionist delves into the heart-wrenching tale of a teenage boy's quest to save his mentally challenged brother from being lobotomized. Both movies tackle serious subjects with a touch of dark humor, but The Illusionist adds an extra layer of confusion by telling its story through images and sound instead of dialogue. It's a tragic art house style film disguised as a comedy, filled with slapstick moments and occasional comedic sound effects. The Illusionist's family, living in poverty and struggling with jealousy, adds to the emotional depth of the film. Despite its confusing nature, the movie manages to evoke profound emotions, making you cry not once but twice. So, if you're up for a visually stunning and emotionally impactful tale of love, family, and sacrifice, The Illusionist is a must-watch.